Showing posts with label Alice Flynn. Show all posts
Showing posts with label Alice Flynn. Show all posts
21 May 2015
Creativity and Yoga Retreat Day (or, What Happens When We Make Space for Ourselves)
Hello friends,
Life is often busy. Our minds are often busy. Our emotions can be like the ever-changing waves of the sea. Somewhere in the midst of the busyness and shifting inner tides, we can seem to lose ourselves and our sense of peace.
But that peace is always there. It is ever-present, a vast space within us, bigger than any busy schedule or emotion ocean horizon. We just need to make time to connect to it.
We can access that sweet stillness and sense of true self or Source or love (for it has many names) in many ways:
We can move the body, breathe the body open as we stretch it through movement. This soothes our nervous system, balances our energy and also quiets the mind. When we create inner space, we can then receive all that we need.
From this space of receptivity we can allow ourselves to unfurl further and explore. Through playful activities, we remind our hearts and minds it is safe to be spontaneous, to let go of control and to deeply connect to ourselves, to others and the world around us. Through play we expand our awareness, become curious and child-like as we re-see life with truly open eyes. We no longer chase a sense of peace; we are opening to it, allowing it to flow up and out from within us, as we laugh and delight in the moment.
From this space of expansion we are ready to listen. When we engage in creative practices, we can better hear the wise, quiet voice deep within. We can then allow out that which has been calling for expression. By simply engaging in nurturing, creative practices, we tell ourselves: 'I hear you. I love you.' We open, we receive, we expand, we listen, we express and we allow. And so we return to the peaceful, playful path that leads us home, home to our true nature, to peace, to love.
On Saturday 27th June, I'll be sharing a specially created Creativity and Yoga Retreat Day at the Lightworkers Cottage, Brisbane. And you, my friend, are invited.
Come journey together with me as we connect to the sweet inner expansion that comes when we make time for ourselves.
(Image: Karolin Schnoor)
Labels:
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24 Dec 2013
Twelve Days of Christmas: 1
A Very Merry Christmas to You!
Here we are at the last of our twelve days of Christmas. Thank you for your presence on this winter adventure in words. I hope you, yes, you, have a restful, playful, heartening holiday.
Alice x
Here we are at the last of our twelve days of Christmas. Thank you for your presence on this winter adventure in words. I hope you, yes, you, have a restful, playful, heartening holiday.
Alice x
A Partridge in a Pear Tree
On the first day of Christmas my true
love gave to me
a memory.
Everyone’s lying on the sofas and the
floor
stuffed fat with too much food
and he comes in
wearing a borrowed jumper
telling me how cold it is in the garden
and that
I should come and look
I’m playing scrabble with my siblings
but I’m losing so I say
okay
and we walk through the hallway
with its wood chip wallpaper and
peeling paint.
The kitchen’s still steamy and the big mirror’s
dripping wet.
So I draw us on it.
I make his ears look bigger and
my hair look curlier
and we both have dots for eyes.
We put on some wellies
not ours
that are by the back door and
I wrestle with the bolt at the bottom
and then we’re outside
on the patio.
It’s so cold
a cold that I sometimes miss.
It wakes us up.
The sky is
familiar grey
I like it
not too bright
not too blue
not all the time.
We look at the veggie patch and
we don’t find much that
doesn’t look like sticks and twigs.
We go to the pond.
Together
we lift up the wire protector
which keeps the hedgehogs from drowning.
We poke at the ice
but don’t break it
just to see if anything’s moving
underneath.
He starts making up a song
and
I join in
we put the cover back on the pond
so the little ones don’t fall in.
The song sometimes rhymes and
sometimes it doesn’t
and it makes us laugh.
He points to a robin in the holly tree
he points as he sings:
‘And a
partridge in a pear tree.’
Labels:
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Alice Flynn,
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creative writing,
love story,
partridge in a pear tree,
poem,
poetry,
UK,
winter.
19 Dec 2013
Twelve Days of Christmas: 5
Five Gold Rings
Five gold rings.
One for each winter he’d come to me across the sea on his sailing ship. Finding
me at first frost; gone before the darkest day.
Leaving me wet, anchored to the shore, waves pushing me away. Five gold
rings. Each holding the hope he will take me as his winter bride once more.
Twelve Days of Christmas: 6
Six
Geese A-Laying
Christmas
List.
He
kissed/she kissed
a frog
with a
golden ball
rolling
in from the wrong fairy tale
it was
an egg
rolling
on to the wrong Christmas song
melting
into five golden rings or
flaking
gilt leaves
autumn
into winter
Just an
egg again
that
falls inevitably
– gravity –
out of
one of
six
geese
a-laying.
Egg
cracks open.
A
laying on of hands
faith
healer
sweating
blood
hoping
to bring the silence of snow
this
Christmas.
She
kissed/he kissed
a frog
and
waited.
It grew
golden hair
plaited
into thick rope
as
rough as straw
as
strong as steel cable
it held
their weight
as they
scaled down
the
tower
waving
goodbye to their
green true
love
who
never did become
anything
other
than a
smiling
boss-eyed
frog
unaware
of their wanting
more.
But
they knew a man
with a
bag of magic beans…
17 Dec 2013
Twelve Days of Christmas: 8
Merry Christmas.
What a gift! The cold shoulder!
Get
this, Sunday lunch and I’m feeding the baby. My mother-in-law says
breastfeeding is not something to be shared at the dinner table. I told her
‘It’s not your dinner table.’ Then John reminded me she’d helped pay for it.
‘She didn’t pay for this chair,’ I
said, ‘I’ll do whatever I like on it.’ And I carried on feeding the baby. She
went to the bathroom and didn’t come out ’til pudding. Ridiculous. And now we’re
not invited to Christmas.
‘Breastfeeding
at the table is not in the festive spirit of things.’ I don’t know how she
thinks baby Jesus got fed.
So
that’s it, no seeing her granddaughter on Christmas day. Says she’ll come for
mince pies on Boxing Day. I haven’t invited her. Neither has John. He says he’s
with me on this. Although he did say Arabella probably doesn’t care if she gets
a boob or a bottle and perhaps I could compromise just this once. I threw Flat
Bunny at him. ‘That’s not the point!’ I said. So he’s staying home with me.
I
told the girls from Mums and Bubs Club. They were spitting teeth, couldn’t
believe it. They agreed with me, they said all eight of us should stage a sit-in
at her house: turkey, brussel sprouts and boobs out.
Merry Christmas! I should tell her
not to cry over spilt milk.
15 Dec 2013
Twelve Days of Christmas: 9
Nine Ladies Dancing
Slowly, like
music box dolls, we turn on the spot. Feeling small I close the gap between us,
hoping a change will make me seem bigger, more, enough. Cheek to my love’s
chest, I hear a heart beating in time with the record player’s tune.
The
dance floor is full. The dance floor is empty. I don’t know. My eyes are
closed. Flickering, they visit – all masked – parodies of me, these women who
dance through my body and are gone. They dance on.
My
love has given me another chance. I am a cat with nine lives and this is my
last.
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| Photo credit: Tilemahos Efthimiadis via Flickr |
Twelve Days of Christmas: 10
Ten Lords A-Leaping
On
the tenth day of Christmas the King announced that he wished to find a fitting
suitor for his daughter. He set three impossible tasks. Whomsoever could swim
the vast moat that kept the castle as a far-off island, whomsoever could scale the
castle walls that stood as tall as mountains, whomsoever could leap over the giant
fire that would await them in the courtyard, that man, that man would marry the
Princess.
‘Easy enough’ thought hundreds upon
hundreds of dukes and lords, princes and peasants. They could swim, they could
climb, they could jump. They were the perfect candidates. And so they came,
from all four corners of the kingdom, they came, trudging over frozen fields
and plains until at last they arrived at the edge of the moat.
It was as deep as it was wide, as dark as it
was dangerous. It was coiled around the castle, a blue-black serpent waiting
for its prey. Teeth chattering, the many men surveyed the freezing-cold passage
that stretched before them. At the King’s behest and the sound of canons nobles
and knaves alike fearlessly, foolishly, launched into the water.
Less
than half reached the other side. Struggling for breath and blue at the lips, fewer
still could cling to the castle walls – each and every stone was covered with
frost and moss and though they willed their frozen fingers to work, down and
down again slid the men. There was, however, a lucky number who used brutish strength
and spider-like skill, fight-climbing their way to the top. By nightfall, ten Lords had landed in the
courtyard. They stumbled towards the blazing bonfire that roared victoriously,
towering above them with flames like fists pounding at the dark night sky. The Lords
thawed themselves. On the other side of the fire was the Princess.
‘Over
the fire you leap, good men! Your bride awaits you!’ said the King, his
rabbit-skin gloves softly coming together in a clap, clap, clap.
And
so it began. The first lord staggered forward, shaking, exhausted. Gripping his
own arms he tried to compose himself. Another stood by his side. Soon all ten
stood together. Solemn silence, stolen moment of reflection. One lord thought only
of the Princess’s striking beauty. Another revelled in her youth. Ten men and
many eyes wide with anticipation, mad for the power they would gain in just one
leap. Only one lord wished to make the Princess proud, to see her heart ablaze
with a love to match his own.
One
by one they leapt into the flames, one by one a shrieking, a crackling, a pop
and a hiss as black smoke billowed up from the bonfire. One by one they tried
to jump over it. One by one they failed until only the last lord remained.
He
faced the flames, strong in the knowledge that in his death he would die a
happy man for trying. He softened, thinking of the Princess and all he would do
for her. And, with each loving thought a snowflake fell, one after another until
a flurry filled the air and the entire courtyard was covered in a thick white
blanket of snow and the bonfire was nowhere to be seen. The lord leapt over the
spot where it had been and into the arms of his Princess. And with the fire of
their hearts to keep them warm, they lived happily ever after.
13 Dec 2013
Twelve Days of Christmas: 11
Eleven Pipers Piping
Hairnets
on, dressed all in white we look like snowmen. ‘We’re making Christmas, my
darling, right here!’ with a twist of her wrist, softly squeezing, she conjures delicate lines of green icing as holly
leaves appear on the blank face of the cake.
M-E-R-R-Y
C-H-R-I-S-T-M-A-S. I’m in charge of the lettering. It’s easier than the holly
but harder than the edging.
‘Me,
your grandmother, her mother before her and her mother before that. Your Aunt
Nell, Auntie Jeanie, Great Aunt Eleanor – all the way back, eleven women, five
generations. Including you.’ Mum comes round my side of the counter, wraps her arm
around my shoulder applying the same gentle pressure she does to a full piping
bag.
We
reach the last order of the day and she takes the sherry bottle from behind the
plastic tubs of glacé cherries and mixed peel. She pours what is left into two mugs
and passes one to me as she admires my handiwork.
‘You’re a fine piper, my girl, and a
fine baker!’ She’s being kind, my mum.
She
makes my Christmas.
![]() |
| Photo credit: Mink via Flickr |
12 Dec 2013
The Twelve Days of Christmas
Merry Christmas!
It does feel somewhat strange saying this with the fan on, sweating in the heat here in Brisbane, Australia, but it is Christmas time nevertheless. And that means Christmas carols.
A number of years ago my siblings and I stood, cocooned in jackets and scarves, in a packed pew at a local carol service. We warbled away with gusto ever aiming for the high notes – usually missing them – and then we spotted it: a simple typo on the carol song sheet that resulted in much mirth amongst us. 'Hark the herald angels sin' was probably not what the Almighty had in mind by way of celebrating his birthday. And so an alternate story existed: wild angels taking the day off and making merry in their festive woolly jumpers.
This year, I've written a series of alternate interpretations, responses to the English carol 'The Twelve Days of Christmas'. I've written short stories, script, poetry; I've played with style and genre, some are happy, some are sad some are something else. For the next twelve days I'll be posting the pieces here and also sharing excerpts of them via my twitter account @wulftheatre.
I hope you enjoy them and I would love for you to share your own responses to either my creations or the original 'Twelve Days'. Words or music, song or sound, illustration or even movement – whatever you feel inspired to do is very welcome and would be a gift. And, if you like short and sweet, tweet using the hashtag #12DaysOfXmas or post to this blog.
I hope you and your loved ones have a very peaceful, playful, caring, creative festive season!
It does feel somewhat strange saying this with the fan on, sweating in the heat here in Brisbane, Australia, but it is Christmas time nevertheless. And that means Christmas carols.
A number of years ago my siblings and I stood, cocooned in jackets and scarves, in a packed pew at a local carol service. We warbled away with gusto ever aiming for the high notes – usually missing them – and then we spotted it: a simple typo on the carol song sheet that resulted in much mirth amongst us. 'Hark the herald angels sin' was probably not what the Almighty had in mind by way of celebrating his birthday. And so an alternate story existed: wild angels taking the day off and making merry in their festive woolly jumpers.
This year, I've written a series of alternate interpretations, responses to the English carol 'The Twelve Days of Christmas'. I've written short stories, script, poetry; I've played with style and genre, some are happy, some are sad some are something else. For the next twelve days I'll be posting the pieces here and also sharing excerpts of them via my twitter account @wulftheatre.
I hope you enjoy them and I would love for you to share your own responses to either my creations or the original 'Twelve Days'. Words or music, song or sound, illustration or even movement – whatever you feel inspired to do is very welcome and would be a gift. And, if you like short and sweet, tweet using the hashtag #12DaysOfXmas or post to this blog.
I hope you and your loved ones have a very peaceful, playful, caring, creative festive season!
Twelve Drummers Drumming
Hands
stuffed deep into the pockets of my oldest coat I walk, head down, hiding from
the cold, to our familiar spot. There he is. Sat on the bench facing the
swings. He doesn’t turn around. I can see a limp sprig of mistletoe resting on
his knee. I can’t see what is coming.
I
sit down. Smiling wanly, head to one side, he dangles the mistletoe above the
space between us. I remember sighing. He crosses his legs – and I think that
must have been a signal – a drilling sound erupts from right behind us. Out of
the bushes come twelve grown men dressed in red and white. Twelve Father
Christmases all beating a rhythm I can’t recognise, hammering at their long-suffering
drums. It could have been festive. It could have been a death march.
He’s smiling again. He kneels down
on the concrete, on one knee, slipping slightly where it’s icy, still trying to
hold the mistletoe high – waving it at me, a white flag. It starts to snow. His
lips are moving, the drumming gets louder and I can’t hear a word he says.
27 Aug 2013
Musical Cloakroom: Hack The Barbican 2013!
Musical Cloakroom: Sounds, Stories and Sensors
Imeh Akpan and Nebulous Flynn invited me to collaborate with them on their sound installation Musical Cloakroom. Thirty-three squares linked to sensors form the stepping stones to musical tones: each time participants step into a square they trigger a sound: Nebulous Flynn's soundscapes or a story. I wrote six separate thirty-three-word stories for the project. The piece, conceived and programmed by Imeh Akpan, offers multiple ways for the public to play and create within the space. Participants can twirl through the cloakroom at random forming their own sound piece, or step through methodically following the trail of a tale.
If you're not in London you can still make your own music and catch five of the stories online here.
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